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Admission Tests GRE General Test Sample Questions:

1. The iacl thai ihcre are so many varieties of youthful dissent indicates that there is considerably less_________to this counterculture than has been suggested.

A) relevance
B) spontaneity
C) hypocrisy
D) coherence
E) deeeneraev

2. Harriet Monroe, who founded Poetry: A Magazine of Verse in 1912. argued that the more heterogeneous and sprawling the modem world became, the more poetry needed "an entrenched place, a voice of power." Hut this goal could only be realized if poets were valued in ways that encouraged them to participate in the world and made writing verse economically viable. Monroe argued that poets needed sites of institutional opportunity like those that had been developed for visual artists, architects, and musicians. She believed that the hand-wringing anticapitalism dominating genteel literary culture-particularly the idea that poetry ought to be removed from "sordid" pecuniary considerations-brought no economic and only illusory aesthetic benefits, instead severing poets from meaningful participation in the modern world.
The passage suggests that Monroe believed that finding "an entrenched place, a voice of power" for poetry would rely on which of the following?

A) Ensuring that poetry as an art could remain free of economic considerations
B) Creating institutional opportunities for poets to make their work economically viable
C) Providing poets with a refuge from the sprawling modem world

3. Among geophysicists there was considerably less (i)_________the proposed environmental measure than the (ii)_________media accounts of the conference would suggest: the debate was often animated but never uncivil.

A) satisfaction with
B) poignant
C) ambivalence toward
D) sensationalized
E) sanitized
F) rancor over

4. When Flemish painter Anthony Van Dyck moved to England in 1632 to become court painter to Charles The introduced an entirely new way of representing dress in portraiture. In women's portraits. he left off fashionable accessories, depicted subjects in unbuttoned sleeves and collars, and added lavish drapery and jewels. For the first time an artist actively participated in dressing his subjects, creating an amalgam of fantasy and reality. While Van Dyck was most innovative when representing women, he used similar elements in portraits of men.
Van Dyck's Portrait of Thomas Killigrew and Willian. Lord Crofts (1638) demonstrates how the artist relaxed and unbuttoned men's dress to accord with an underlying theme. The double portrait may be seen as an essay in grief: Killigrew. a poet and playwright, had lost his wife Cecelia to the plague shortly before the sitting, and Crofts was her nephew. The painting contains clear references to the situation at hand. The background features a broken column, a traditional emblem of earthly transience. A drawing in Killigrew's right hand depicts two Itinerary monuments. Crofts holds a blank sheet of paper, seen by some scholars as an analog to the drawing Killigrew holds: a symbol of what is gone.
At historians have interpreted the clothing depicted in this portrait, particularly Crofts' doublet which is worn unbuttoned in back, as an allusion to the subjects' grief-stricken distraction. It is true that Killigrew's dress includes references to his loss-he wears a cross inscribed with his wife's initials. There is an intimate nature to this painting, which seems underscored by the loose clothing worn by both subjects. However, diis reading of the costumes as signs of grief does not take account of seventeenth-century fashion conventions. Only Killigrew appears in noticeably disheveled attire; Crofts" dress would be quite appropriate for a formal portrait. Though black clothing, such as that won by Crofil, was common for mourning, it was also ordinary on other occasions. Furthermore, during the first stage of mounting no shiny surfaces, such as Crofts' satin doublet, would be permitted. The unbuttoned slit on Crofts" doublet was probably a matter of style: a French courtier in a 1635 fashion print by Bosse. who is gallivanting rather than grieving, wears a similarly undone doublet. Evidence suggests that by the late 1630s a certain calculated looseness was conventional in men's formal dress. Ribeiro. for example, cites the writings of moralists objecting to this style.
Killigrew's attire, though even looser than Crofts", should not necessarily be associated with grief. Other seventeenth-century subjects depicted in melancholic states do not dress this way. Although Killigrew's
"undress" lends this portrait a distinctive intimacy, it might also refer to Killigrew's literary career. Many of Van Dyck's other subjects who engaged in literary pursuits are depicted in loose clothing. The blank sheet held by Crofts may be a reminder not only of Killigrew's loss but also of his solace: he had but to express his grief in writing.
Which of the following best describes (he function of the last sentence of the passage?

A) It casts doubt on the way that art historians have interpreted the? relationslup between the two subjects in the painting.
B) It suggests that a certain detail of the painting should not be understood ;is emblematic.
C) It introduces evidence to support the author's view of the appropriateness of Crofts" manner of dress.
D) It calls attention to a detail of the painting that art historians have generally overlooked.
E) It offers support for the author's interpretation of the significance of Killigrew's clothing.

5.
In the figure shown, what is the length of line segment BD ?

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